PRIMROSE Nahyun AD, Starbucks FIZZIO

1. Advertisement Overview and Campaign Background The advertisement campaign using Starbucks' RTD (Ready-to-Drink) beverage, Fizzio, and model PRIMROSE Nahyun is a marketing strategy targeting young consumers. Fizzio is a refreshing carbonated beverage that was released especially for the summer season. PRIMROSE Nahyun is a popular influencer and model among the MZ generation, and her fresh and trendy image fits well with the concept of Fizzio. This advertisement emphasizes Fizzio's carbonation and fruit flavor with the main message of "refreshing" and "energy." In particular, it was exposed as short and intense video content through social media and TV commercials, and was also spread online through the hashtag campaign (#Fizzio_refreshing). 2. Target Analysis: MZ Generation Strategy The main target of this advertisement is the MZ generation in their 20s and 30s, who are active on SNS and sensitive to trends. PRIMROSE Nahyun's casting was appropriate be...

Google Play Um Tae-goo, Kwak Sun-young ad, "Let's Play, Tae-goo"




1) Casting Strategy: Authenticity Created by "Life-Like Acting"

Um Tae-goo and Kwak Sun-young excel at portraying everyday life without exaggeration. Their acting tone is grounded in "everyday life," yet possesses a density that conveys a narrative even in short cuts. This imbues the ordinary act of using an app with "emotional texture," naturally implanting the perception that "playing is my day."
This casting, which relies not solely on star power but rather on the characters' everyday lives, defies the common formula of platform advertising and subtly enhances brand favorability. Ultimately, it encourages self-projection, leading to behavioral changes (searches, installations, and subscriptions), leading to self-projection that "I'm living that moment, too."

2) Model Persona: A Three-Dimensional Effect Created by Contrasting Textures
Um Tae-goo: His strength lies in his dignified and reserved charisma, coupled with his restraint in revealing poignant emotions. His affinity for immersive categories like games, movies, and utilities makes him a symbol of "deeply immersive play." Kwak Sun-young: A warm and approachable actress, she aligns well with the productive and caring categories of reading, learning, health, household budgeting, and travel. She embodies "play that improves life."
The two personas embody the different value axes of "immersion" and "improvement," emotionally illustrating the breadth of the platform's content spectrum.

3) Production Tone and Manner: Simple Reality and Resonant Emotion

The color palette is based on Google Play's brand colors, but maintains a restrained tone rather than over-saturated colors, focusing attention on the model's facial expressions and sounds. This clearly emphasizes the ad's focus on "evoking an experience," not "explaining features."
The sound design emphasizes tactile details like the app's subtle interaction sounds, notifications, and swipes, enhancing immersion. Instead of excessive narration, the message is delivered through breath, eye contact, and short lines, leaving a lasting impression.

4) Core Message: "Making Play More Special"

The message structure is simple. 

-We all "play" every day.
-That play changes the emotional arc of our lives.
-Google Play makes that change possible most easily and broadly.

The definition of "specialness" isn't limited to ostentation or achievement, but rather expands to encompass small moments in everyday life (a movie before bed, a song on the commute, a quick game on the weekend). This expansion prevents ads from being confined to a specific category and gives every user the opportunity to incorporate "my play."

5) Scene-by-scene narrative architecture

Opening: Shows ordinary everyday life (front door, elevator, light by the window), naturally leading the viewer's gaze to the smartphone in their hand. This visualizes the implication that "beginnings are always trivial."

Development: The juxtaposition of contrasting emotions—Eom Tae-goo's focused gaze (immersion in a game or movie) and Kwak Sun-young's smiling moments (music, reading, health management)—reveals the multi-layered nature of "play." 

Climax: The screen transition tempo quickens, and the app icon, review ratings, and recommended curation appear rhythmically. This is where users experience the "discovery of themselves."

Ending: The brand logo lingers like a calm afterimage, strengthening brand recall, along with the message, "Make Play More Special."

6) Creative Device: Trust Built by Details

Micro-Gestures: Details like pausing scrolling, slightly delaying notifications, and putting earphones in create a sense of empathy, a sense of "I can do that too."

Light and Shadow in Reality: The contrast between natural light, city lights, and screen light on the face sensuously conveys that "play" is an act that transcends time.

Restrained Use of UI Motifs: By placing the actual UI implicitly without overexposing it, we build platform trust without overexposure.

7) Brand-Model Fit: A Combination of Trust and Scalability

Um Tae-goo's trustworthiness (seriousness) and Kwak Sun-young's approachability (warmth) complement Google Play's image of a "safe and expansive ecosystem."
The two actors' fanbases don't overlap excessively, making it advantageous for reach expansion and segment-specific messaging optimization. This allows for flexible creative versions tailored to gender, age, and interest categories.

8) Message-Action Connection: A Gentle Start, Continued Use

"Specialness" is translated into "small actions you can try right now" without overstating it. Examples: "Save," "Add to Wishlist," "Free Trial," and "Browse Categories."
CTAs are presented in a suggestive tone rather than a pushy one, reducing resistance. This positively impacts not only install conversions but also retention metrics.

9) Target Insights: The Coexistence of Multiple Interests

Modern users coexist with multiple interests within a single person. The ad comprehensively showcases "play by time of day/mood" through two models, reflecting the reality of multimodal preferences.
By balancing the dual axes of work and leisure, efficiency and emotion, the production redefines the concept of "app = consumption" beyond "app = emotional coordination/self-expansion."

10) Marketing Implications: Campaign Operation Perspective

Creative: Extended versions (6, 15, 30, and 60 seconds) of each model are used in parallel to optimize across platforms and media.

Media: Dual-use of universal reach on video platforms and preference targeting on social media, simultaneous integration with brand keywords in search and stores creates a tighter funnel.

Remarketing: Display customized recommendations based on categories seen in the ad, suggesting personalized "next plays."

Measurement: Optimize creative and landing cycles based on key KPIs such as view-through rate, brand search lift, store conversion rate, and category-specific session duration.

11) Conclusion: "An experience that makes small moments special."

Rather than relying on the image of a famous actor, this ad succeeds in infusing emotion into everyday moments, making viewers immerse themselves in the platform's value. Um Tae-goo's deep immersion intersects with Kwak Sun-young's warm sense of life, and the phrase "Make play more special" transcends functional utility and resonates emotionally. In other words, it demonstrates, in the most practical language, how to make the "play" users are already engaging in more meaningful.